When it came to Batman himself, Reeves and Robert Pattinson modeled the crime-fighter’s look on Nirvana frontman Kurt Cobain. But the person I knew was Colin looked like Oz. “Because, honestly, I got to know Colin a little bit during prep. “On the last day that Colin shot, I was really sad,” he says. Thanks to the COVID safety protocols and the three hours it took each day to transform Farrell into Cobblepot, Reeves never saw Farrell out of makeup while making the movie. That was the difference between this and other ‘Batman’ movies. “ went to Starbucks or something, and you wouldn’t think it was this man because the makeup is just incredible and his teeth were incredible. She adds their goal was not to make any character comical, rather but emphasize that these were real people. “I don’t think I’ve ever stood in front of someone in makeup like that and forgotten it was makeup. “Mike went off and designed this character based on lots of different faces,” she says. Makeup artist Naomi Donne is no stranger to Marino’s work - the two have collaborated before - but this transformation also blew her away. It was one of the things that the evolution of what we did took us to that.” It was not the intention to hire Colin so he could look like that. He was already talking in the voice that he uses in the movie. “I was like, Who is that guy? And Colin was so funny. “What it did to Colin was amazing,” he says. “I said, ‘We are dead in the water if I let you do this and anyone says, “Oh, I can see that that’s makeup.” That will ruin everything.'” He was deeply impressed with Marino’s work, but he had conceived his film as grounded in reality. “I could not believe what I was seeing,” he says. “And one day he showed me this sculpture on a head cast of Colin. “So Mike factored that all in,” Reeves says. gangster,” he says.īut then Farrell told Reeves that he didn’t feel healthy carrying the extra weight and needed to lose it, which Reeves relayed to Marino. “I saw him as being almost like a throwback Warner Bros. Reeves cited Cazale, Sydney Greenstreet and Bob Hoskins as potential inspirations. Reeves turned to prosthetic makeup artist Michael Marino (recently Oscar-nominated for his makeup work in “Coming 2 America”) to design a look for Farrell’s Penguin. “I thought, well, maybe there’s something visually that we do.” “I thought John Cazale has a kind of Penguin nose,” Reeves says.
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